WebbSimon Starling (born 1967) completed the MFA programme at The Glasgow School of Art in 1992, and now lives and works in Copenhagen. ... Some of his most notable works have transformed one object into another, including ‘Shedboatshed’, his Turner Prize-winning work from 2005. WebbSimon Starling: Shedboatshed (2005) I love the idea behind this work. Starling Dismantled this shed and made it into a boat, sailed it down the Rhine and then reconstructed it down river back into a shed. Although I have struggled to find a convincing photo of either the work to do this or the river journey?
The reassembled object IMAGE OBJECT TEXT
WebbSimon Starling, Shedboatshed (Mobile Architecture no. 2), 2005 At first sight, Simon Starling’s Shedboatshed (Mobile Architecture no. 2) appears to be a readymade. It’s an old shed. It looks a bit the worse for wear, but age will do that to a shed. Things aren’t quite a simple as they appear though and the first clue’s in the title. Starling was the first recipient of the Blinky Palermo Grant in 1999. In 2005, he won the Turner Prize with the work, Shedboatshed that involved taking a wooden shed, turning it into a boat, sailing it down the Rhine and turning it back into a shed. Starling was short-listed for the Guggenheim's Hugo Boss Prize for contemporary art in 2004. how does immigration benefit culture
Simon Starling: interview - The Telegraph
WebbSimon Starling Objekt in Inhotim, Brasilien (2010) Starling arbeitet im Bereich der Konzeptkunst. Sein Interesse gilt Materialbeschaffenheit, Kontextualisierungen und der Idee von Effizienz im Sinne von Leistungswirksamkeit ( cycle efficiency ). Dies Konzept führte u. a. 2004 zu seiner Arbeit Tabernas Desert Run, für die er auf einem mit ... Webb12 apr. 2012 · Unlike previous Turnerati, Mr Wallinger probably makes his own bed (Tracey Emin, My Bed, 1999); and has never knowingly constructed a boat from an old shed (Simon Starling, Shedboatshed, 2005). Webb4 nov. 2024 · 1 L’exposition consacrée à l’artiste britannique Simon Starling 2 (1967 - ) à Sérignan témoigne exemplairement du tournant pris depuis les œuvres des années 1990 et 2000 dont l’une, Shedboatshed, lui a valu le prix Turner en 2005. À vrai dire, l’inflexion de son art vers une interrogation portant non sur l’identité, mais sur la présence était … how does immigration boost the economy